In the past month or so I’ve been to two contemporary music concerts that featured duets consisting of instrument and voice – one that was trumpet and voice, one that was bassoon and voice.
I haven’t written for a lot of voice nor listened to a lot of contemporary music that features voice, but it struck me how the inclusion of voice sets up an expectation of hierarchy – the voice is usually the dominant force…
My gut reaction immediately after the movie was that of annoyance above all else, but that was going into it with some subconscious bias about it given that the movie continues to flop worldwide and has had a lot of mixed reviews. I wanted to give it some time before writing about it to see if my opinion would change after it settled in my brain.
The answer? Kinda.
Spoiler warning for Agents Of SHIELD end of Season 5.
One of the key narratives in AoS season 5’s second pod was the conflict between what Fitz and Simmons had both believed about spacetime back in season three (time is fixed and can’t be changed) and the idea that maybe it wasn’t fixed – which they had to rationalize to try to change the events in which the earth was cracked by “the Destroyer of Worlds” (believed to be Daisy) as told to them when they traveled to the future in season 5’s first pod. The conclusion of Season 5…
