The Protector (2018)
One of the more important creeds when writing time-based art (music, marching drill, film) is that making big moments is easy – it’s the transitions that are hard. Ultimately this …
composing for voice
In the past month or so I’ve been to two contemporary music concerts that featured duets consisting of instrument and voice – one that was trumpet and voice, one that …
Portland Percussion Group
My commission for the Portland Percussion Group, The Spaces Between, was world-premiered as a part of nienteForte’s 10th season before the COVID-19 shutdown. A professional performance video is forthcoming in …