I’ve suddenly found myself with two commissions for works that I need to complete over the summer – one work for the Byrne:Kozar:Duo and one for the Portland Percussion Group. The creative concepts I have for both involve using text as a vehicle for the works, but how I use and evolve the text in each piece are contrasting enough that I thought it would be a good exercise to talk about them conceptually.
It was about one year ago when I made the decision to write Minkowski Etudes as a work for solo trumpet and interactive electronics. Last week my performer Dylan premiered it in its entirety for his senior recital and he also played it as a part of the Southern Sonic Festival. The Max programming needs some final tweaking and I may want to redo my cue structure by using Antescofo (I have to decide if I […]
Titles are a tricky thing for me. I’m pretty happy with the titles that i’ve come up with for most of my works in both the traditional chamber setting and marching band/drumline shows, but it always takes me longer than i expect to come up with them. Timpani Forces was called about five things before its final title, ranging from similar titles such as Timpani Dances when the fourth movement was originally “False Waltz” and […]